Vic has created a beautiful wooden bridge to add to the collaboration. He plans to decide where to attach it once it becomes apparent where it belongs. This concept of using a bridge in this group project is so creative and appropriate to the piece.
EXPLORING THE LANDSCAPE WITH PAINT MAY 10- MAY 31 RECEPTION: FRI MAY 10, 6-9PM
Jan 30, 2010
Meeting of Minds 5 - Vic Barr
Vic has created a beautiful wooden bridge to add to the collaboration. He plans to decide where to attach it once it becomes apparent where it belongs. This concept of using a bridge in this group project is so creative and appropriate to the piece.
Jan 29, 2010
Meeting of Minds 4 - Catherine Honse and John Barhydt
Cate has adorned the art piece with one of her hand made ceramic leaves.
John has incorporated a few of his fine art photographs collaged onto the piece. 
These newest additions to this work of art are a prime example of two artists working outside of their comfort zone in an effort to contribute to our group project. This is what makes the Gateway artists so special. We understand the value in trying new things and working together.Jan 28, 2010
Meeting of Minds 3 - Garry McMichael
Garry has shared a photo of his contribution to the collaboration. Can you find it?
This piece is really taking shape as each artist brings their own personality and talent to the table. The most fascinating part is how each addition to the piece seems to be right at home as soon as it is added.
Jan 27, 2010
Meeting of Minds 2 - D. A. Williams and Michele Wells
Jan 22, 2010
Meeting of Minds 1 - Heather Haymart and Meg Matson
The Gateway Gallery artists will be presenting a collaborative piece of art for the next reception on February 26, 2010. We are all contributing some element of our talent to a mixed media work of art to celebrate our creative cooperation as artists in running our successful business together. Each artist in this group offers his/her own unique personality which culminates into this creative support system and professional partnership. Heather Haymart, who is the Spotlight Artist starting February 26, decided this was the perfect way to express such camaraderie.
It should be so fun to watch as this work of art unfolds!
This is a photo of the 48"x24" piece that Meg and Heather have begun to work on.
It should be so fun to watch as this work of art unfolds! Jan 10, 2010
Interview with the Artist - Vic Barr
What kind of art do you make?
I guess my work falls into about four categories. I design and work with the North American and exotic hardwoods of the world. I create contemporary jewelry chests and towers; I hand-turn a lot of writing instruments, pens and pencils, in those hardwoods and other materials, as well as other vessels; and recently I've begun to do some contemporary table-top sculptural pieces. The fourth category is custom designs and pieces to meet the needs of individual clients. I really enjoy the custom work because my clients give me the latitude to let my imagination enhance their basic requirements and, in return, I give them more than they asked for and a truly unique piece.
What draws you to the medium you use?
Through the years I painted in oils, acrylics and watercolor, sculpted my kids’ heads in clay, and did a lot of drawing in various media. When I started to explore a new medium, I studied it and built as many of my own tools as I was able. Eventually I realized that, while I was competent in the media, I really enjoyed designing and building the easels, pedestals, and other equipment in preparation for working in the latest medium. Then I discovered the exotic woods of the world, and there was no turning back. Besides the opportunity to work in woods whose names I couldn’t even pronounce, I began to realize that it seems to be a mission in life to show others the natural beauty that’s really under the bark of a tree. I never tire of it, and at latest count I’ve worked with eighty-seven different hardwoods from nearly every continent (there aren’t many trees in Antarctica).
Where do you get your inspiration?
As with most other artists and craftsmen I know, that varies. Sometimes inspiration is sparked by something a client wants, sometimes an unusual piece of wood will dictate the best way to exhibit its best features, sometimes a shape or curve or element in a museum piece suggests a new context , sometimes a doodle from a boring meeting matures into a new piece, sometimes …. Inspiration comes from whatever we’re ready to see.
What hobbies do you have?
I read a lot and I’m actively involved in the leadership of several nonprofit art organizations; Missouri Artisans Association, Greater St. Louis Art Association, and the St. Louis Woodworkers’ Guild. I also belong to the St. Louis Artists Guild and the National Association of Independent Artists.
What is the best museum/ art gallery/ art exhibit you have ever been to?
Do you have pets? Tell about them.
If you could own any work of art in the world, what would it be and why?
I guess my work falls into about four categories. I design and work with the North American and exotic hardwoods of the world. I create contemporary jewelry chests and towers; I hand-turn a lot of writing instruments, pens and pencils, in those hardwoods and other materials, as well as other vessels; and recently I've begun to do some contemporary table-top sculptural pieces. The fourth category is custom designs and pieces to meet the needs of individual clients. I really enjoy the custom work because my clients give me the latitude to let my imagination enhance their basic requirements and, in return, I give them more than they asked for and a truly unique piece.
What draws you to the medium you use?
Through the years I painted in oils, acrylics and watercolor, sculpted my kids’ heads in clay, and did a lot of drawing in various media. When I started to explore a new medium, I studied it and built as many of my own tools as I was able. Eventually I realized that, while I was competent in the media, I really enjoyed designing and building the easels, pedestals, and other equipment in preparation for working in the latest medium. Then I discovered the exotic woods of the world, and there was no turning back. Besides the opportunity to work in woods whose names I couldn’t even pronounce, I began to realize that it seems to be a mission in life to show others the natural beauty that’s really under the bark of a tree. I never tire of it, and at latest count I’ve worked with eighty-seven different hardwoods from nearly every continent (there aren’t many trees in Antarctica).
Where do you get your inspiration?
As with most other artists and craftsmen I know, that varies. Sometimes inspiration is sparked by something a client wants, sometimes an unusual piece of wood will dictate the best way to exhibit its best features, sometimes a shape or curve or element in a museum piece suggests a new context , sometimes a doodle from a boring meeting matures into a new piece, sometimes …. Inspiration comes from whatever we’re ready to see.
What hobbies do you have?
I read a lot and I’m actively involved in the leadership of several nonprofit art organizations; Missouri Artisans Association, Greater St. Louis Art Association, and the St. Louis Woodworkers’ Guild. I also belong to the St. Louis Artists Guild and the National Association of Independent Artists.
What is the best museum/ art gallery/ art exhibit you have ever been to?
We’re blessed in the St. Louis area with a wonderful art museum, which has hosted many wonderful exhibits through the years. I’d be hard pressed to select one above all the others, but the one I attended last year that featured the work of American abstract artists from the mid 20th century really impressed me. I’m not the world’s greatest fan of abstract art, but this collection of legendary works allowed me to see the genre with new appreciation.
Another of the exhibits that had a profound effect on me was a number of years ago that featured a number of well-known impressionist painters.
Another of the exhibits that had a profound effect on me was a number of years ago that featured a number of well-known impressionist painters.
Do you have pets? Tell about them.
Two border collies, Molly and MacDuff, allow my wife and me to live with them. Though from different litters, MacDuff has taken the role of tolerant big brother to the exuberant younger Molly. They’re endlessly entertaining, loving members of our family, and much easier to raise than our two children were.
If you could own any work of art in the world, what would it be and why?
That’s a tough one, but one work consistently rises above all others for me. Michelangelo’s Pieta has enchanted me since, as a teenager, I first saw pictures of the work. The incredible detail, the life, the feeling, that he brought out of that marble block stands as the ultimate tribute to the life and work of this master of every medium he chose.
How often do you create?
I’m in my shop nearly every day, and ideas for new pieces, work in progress and work that may evolve from something I’ve already done occupy at least a part of my mind on some level most of the time. Often, when I step into the shop I’ve already completed a mental image of a new creation down to the smallest detail. The thinking part of what I do is often the most exciting element in the work.
How often do you create?
I’m in my shop nearly every day, and ideas for new pieces, work in progress and work that may evolve from something I’ve already done occupy at least a part of my mind on some level most of the time. Often, when I step into the shop I’ve already completed a mental image of a new creation down to the smallest detail. The thinking part of what I do is often the most exciting element in the work.
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